BeautifulNow
Arts Design

THESE FLOWER MANDALAS BOTH SPIN & CENTER YOU

Poppy Peony by Portia Munson.

When an artist is also a gardener, each passion informs the other. Portia Munson turns her flowers into breathtaking artworks that draw you closer, both physically and spiritually. I first met Munson in her billowing garden at her upstate New York homestead. I was blown away by the impressionistic swaths of color, abundant blooms and fruits.

And then Munson brought me to her studio. And everywhere I looked, I saw the astonishing beauty she created from her harvests.

Munson creates large-scale photographic prints, using flowers and plants as her medium and a scanner as her camera.

Each piece begins when Munson takes a stroll through her garden in upstate New York and plucks a basketful of flowers along the way. She brings them back to her studio and begins to meticulously arrange incredibly intricate, impossibly beautiful compositions, carefully laying out floral pieces on her glass scanner bed.

“I began creating flower images in 2002 after the death of a favorite person left me pondering the fleeting lives of flowers and people,” explains Munson.

“While walking in my garden images of flower arrays came to me. I imagined flower mandalas that were reminiscent of suzanis from Uzbekistan and the vivid garlands of fresh blossoms I had seen used as religious offerings in Thailand.”

Using the mandala, the circular form that in Eastern religions represents the universe, Munson spins out her visions.

She uses the natural color of the flowers and experiments with their structure by slicing into buds, pulling blossoms apart, and layering one onto another to form magical combinations of color and shape.

Next, Munson creates a high-resolution scan of the piece.

Each piece is printed on rag paper, with archival inks, for the optical intensity of color and pattern. Each mandala constellation print preserves what is in bloom on the day it is made. “I am particularly interested in making images that are a record of a moment in time,” says Munson.

Munson’s work has been on exhibition at museums and galleries worldwide, including  MASS MoCA, The Pennsylvania Academy of Fine Arts, The Museum of Contemporary Art in Helsinki, Finland, The New Museum, Exit Art, White Columns and Yoshii Gallery, among many others.

Munson holds a BFA form the Cooper Union School of Art, in New York, and an MFA from Mason Gross School of Art, Rutgers University, in New Jersey.

Munson is represented by PPOW Gallery, New York, NY.

 

Read more about Beautiful Flowers, as they relate to Arts/Design, Nature/Science, Food/Drink, Place/Time, Mind/Body, and Soul/Impact, including 10 Most Beautiful Books of Flowers Right NowSuper-Intimate Flower Portraits and Exquiste Flower Feasts.

Enter your own images and ideas about Beautiful Flowers in this week’s creative Photo Competition. Open for entries now until 11:59 p.m. PT on 07.13.14. If you are reading this after that date, check out the current BN Creative Competition, and enter!

PHOTO CREDITS:

All photos by Portia Munson.

1. Poppy Peony, pigmented ink on rag paper, 40” x 44”, 2014,
edition of 3.
 
2. Dahlia Coreopsis, pigmented ink on rag paper, 43” x 44”, 2011,
edition of 3.
 
3. Red Tulip Target, pigmented ink on rag paper, 60” x 61”, 2011.
This image was commissioned for the lobby of The NYU Joan
Tisch Center for Women's Health in NYC.
 
4. Spring Allium, pigmented ink on rag paper, 82” x 60”, 2012. This
image was commissioned by The James Royal Palm, Miami Beach, FL,
for their lobby.
 
5. Hydrangea, archival inkjet print, laminate, mounted on
diabond, 60” x 110”, 2010. Hydrangea is one of two prints
commissioned by Royal Caribbean Cruise for their ship,
Eclipse.
 
6. Cosmos Sun, pigmented ink on rag paper, 43” x 44”, 2011, edition
of 3.
 
7. Flower Skull, pigmented ink on rag paper, 61” x 43”, 2010,
edition of 3. This is one in a series of flower skulls.
 
8. Reflecting Pool, dandelion wallpaper installation, PPOW
Gallery, 11’ h x 25’ w (each wall), 2013. Installation view of
a solo show at PPOW Gallery, NYC, of still-life memento
mori and flower mandalas hanging on wallpaper of oversized
dandelions that I created as their backdrop/environment.
 
9. July Mandala (installation view), 47”h x 150”w, laminated
tempered glass (platform windscreen), 2012, Fort Hamilton
Parkway Station, West-End “D” Line, Brooklyn, NY. MTA,
Arts for Transit, permanent public art installation. This is one
of 6 pieces that are based on digital scans of flowers, realized
as laminated photographic images, each approximately 4 feet
high x 9 feet wide and comprised of 5 sections. The 6 images
(3 on the north platform & 3 on the south platform) are
permanent windscreens at the Fort Hamilton Parkway
Station.
 
10. Peony Garden, 47”h x 150”w, laminated tempered
glass (platform windscreen), 2012, Fort Hamilton
Parkway Station, Brooklyn, NY. MTA, Arts for
Transit, permanent public art installation.
 
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